Sunday, September 30, 2012

And the winner is...





Thanks so much for entering the contest and telling me your favorite moon songs.
Here's how I chose the winner....
I printed out the names of all the entries on equal-sized pieces of paper. I lined up all the papers on the floor in the living room, and then I let my dog, Chi, come into the room. Chi loves to chew paper. Bookmarks. Important documents. Twenty dollar bills. She loves them all. (That's what I get for letting her rip up all those rejection letters.) Chi sniffed a bunch but the first name that she put in her mouth was the winner. And the name that Chi chose was....





PETE

Congratulations, Pete! 

If you email me your address, I will send you the book.
By the way, Hiding Out At The Pancake Palace is coming out in April, which means I'll be having more contests as the time gets closer.

And please don't forget to celebrate Banned Book Week by reading your favorite banned book!

Tuesday, September 18, 2012

Neil Armstrong is My Uncle Paperback Book Giveaway Contest

To celebrate the paperback release of Neil Armstrong is My Uncle today, I'm having a contest to give away a signed copy. To enter, all you have to do is leave a comment below telling me the title of your favorite "moon" song (the word "moon" should be in the title of the song).
My favorite moon song is Moon River. It makes me think of Audrey Hepburn in "Breakfast at Tiffany's" but even before I saw that movie, I fell in love with those Johnny Mercer lyrics . .They had me at "huckleberry friend".
The winner will be randomly selected sometime at the end of next week.

Monday, September 3, 2012

Spaces


Reading books that your older brother and sister leave strewn around the house is the inalienable right of any younger sibling. On a summer day when I was in my teens and I found this book of poetry sitting on the wobbly hall bookshelf, I didn't think twice. I remember leaning up against the wall and flipping through the pages. When I got to page 96, I stopped.
In the top left hand corner were the words:

WE WERE ON THE TERRACE

DRINKING GIN AND TONICS

when the squall hit. 

There was nothing more. 
The rest of the page was white space.
I looked at the cover and for the first time noticed the author's name. I wondered who John Ashbery was and how he got to write a book where thirteen words were called a poem. This wasn't poetry. It was nothing like what I'd studied in school. Where was the rhyme? The meter? The rest of the words? Clearly this guy pulled one over on a bunch of people
I read the poem again and again.  Then I closed my eyes.
Soon I began to imagine myself, a little older, sitting on that terrace surrounded by fabulously witty people, all of them with drinks in their hands. I could smell the sharp scent of gin and the heaviness of chlorine from the nearby pool. Floating toys drift on the water.
There's a sound of ice clinking on glasses.
And laughter.
The storm moves in fast. Rain comes in from all sides.
My fabulously witty friends scatter.
Someone grabs the drinks,
another reaches for the tray of limes
and a third brave soul runs to get the towels hanging over a fence.
We head into the house but the mood is different. Not as carefree.
Everyone is wet.
Uncomfortable.
The drinks don't clink.
The chlorine smell is replaced by stuffy inside air.
We watch through the windows. The floating toys are still out there banging up against the sides of the pool. There is a conversation about who should go back out into the rain to get them.
Soon the people with drinks have personalities and problems. An entire story comes to light.
When I finally opened my eyes, I'd decided that maybe John Ashbery knew what he was doing after all. It wasn't only about the words. It was about the spaces between them. The spaces between those thirteen words were filled with images.
All that happened a long time ago. In the years that followed I'd lost track of the book. I'd assumed it was reclaimed by an older sibling. This summer, when I was cleaning out my parents' house, I found it again. For many reasons, emptying out your childhood home is an arduous task. Despite my mother's pleading, I didn't want any of the china or the crystal bowls or the fancy tea sets, but when I saw the book in my brother's old bedroom, I grabbed it.
It's sitting on my desk now and every so often, I turn to page 96. There's something magical about those thirteen words. They can scrape away the decades and make me feel seventeen again. I remember everything: That summer day. That hallway bookshelf. The feeling of confusion. That moment of understanding. It all feels so close.
When I read that poem for the first time, I learned something important about the spaces between words.
But this summer it taught me a different lesson
about the spaces between years.